“One scene, two people, one door. The poetic image of an indeterminate fear, an indeterminate waiting.”
What they fear most is what is outside of the room.

The viewer knows the end of the story from the beginning, while watching a game of maintaining a delicate balance between the three characters who speak evasively, answer with questions, say one thing but mean another. Everything is indirect. The discourse is fragmented, ambiguous and in a constant effort to disguise/discover information.