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Emmanouela Vogiatzaki-Krukowski

Visual/Interdisciplinary Artist (Director - Set, Costume, Video Designer - Photographer - Installation Artist)

60 designers

57 projects

FORCED MEMORIES

Bio

Interdisciplinary artist, researcher and academic teacher in the Faculty of Fine Arts (BA) of the University of Peloponnese (since 2004). She has worked as a theatre director, set/costume, video and installation designer, curator of exhibitions, photographer, filmmaker, robotic camera and lights operator in BBC News Resources. Her portfolio work includes more than 90 artworks, comprising theatre performances, performance art projects, video art, video performance art, curation of exhibitions, short films, adverts and a feature film. She has participated, as a researcher, art consultant and reviewer in a number of research projects funded by European Framework programs, including FP7, Horizon 2020, COST Actions, Creative Europe, Horizon Europe etc. She is an active member of OISTAT, PESYTH and a founding member of the Irish SME company Research for Science Art & Technology (RFSAT) Limited. She has published a monograph entitled Performance Art and Cyborgism. Direction, Scenography, Installation and Spectatorship of Technologised Bodies, two theatre plays Bitter Chocolate and A House by the Sea, a number of articles and book chapters mostly related to art, technology and science and she is the co-editor of the book Modern Stroke Rehabilitation through e-Health-based Entertainment.


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Conceived and directed by the artist, this is an international domestic tele-video performance art project created in order to unite emotions and memories of locked-down people from around the world, inspired by Samuel Beckett’s confined and socially disabled characters. This artwork is a contemporary “memory recorder” of a global human; a lonely, locked-down universal individual. In a locked-up globe, our memory cannot be free. We are obedient citizens fed by mass media and raised as agents who transmit images and expectations. All these memories are merged and interconnected, come to life and die on a platform, in an intangible environment, in domestic and sometimes non domestic scenographies, to seek communication and create a contact with their contactless world. The scenography and its narrative power reveal the loneliness and the human need for togetherness. Forced Memories is a project that seeks to create the human with free recollections. Are we saying something out of the ordinary?

Credits

Greece: Emmanouela Vogiatzaki-Krukowski, Pavlos Krukowski, Yiouli Garofalaki, Kostas Georgakopoulos, Tina Memou, Natalia Patrineli, Athena Stourna, Stella Sofokleous, Anoush Polenaki, Katerina Diareme, Nikiforos Kostavassilis, Artur Krukowski
Argentina: Mariana Kutulas Vrsalovic
UK: Prof. Anna Birch
Canada: Prof Kathreen Irwin, Dianne Ouellette
Sweden: Eya Reichberg
France: Dorian Kristmanson & Kyrie Kristmanson

Photos: Emmanouela Vogiatzaki Krukowski

ZERO FESTIVAL / ZOOM WEBINAR – JULY 2020

FORCED MEMORIES

Conceived and directed by the artist, this is an international domestic tele-video performance art project created in order to unite emotions and memories of locked-down people from around the world, inspired by Samuel Beckett’s confined and socially disabled characters. This artwork is a contemporary “memory recorder” of a global human; a lonely, locked-down universal individual. In a locked-up globe, our memory cannot be free. We are obedient citizens fed by mass media and raised as agents who transmit images and expectations. All these memories are merged and interconnected, come to life and die on a platform, in an intangible environment, in domestic and sometimes non domestic scenographies, to seek communication and create a contact with their contactless world. The scenography and its narrative power reveal the loneliness and the human need for togetherness. Forced Memories is a project that seeks to create the human with free recollections. Are we saying something out of the ordinary?

Bio

Interdisciplinary artist, researcher and academic teacher in the Faculty of Fine Arts (BA) of the University of Peloponnese (since 2004). She has worked as a theatre director, set/costume, video and installation designer, curator of exhibitions, photographer, filmmaker, robotic camera and lights operator in BBC News Resources. Her portfolio work includes more than 90 artworks, comprising theatre performances, performance art projects, video art, video performance art, curation of exhibitions, short films, adverts and a feature film. She has participated, as a researcher, art consultant and reviewer in a number of research projects funded by European Framework programs, including FP7, Horizon 2020, COST Actions, Creative Europe, Horizon Europe etc. She is an active member of OISTAT, PESYTH and a founding member of the Irish SME company Research for Science Art & Technology (RFSAT) Limited. She has published a monograph entitled Performance Art and Cyborgism. Direction, Scenography, Installation and Spectatorship of Technologised Bodies, two theatre plays Bitter Chocolate and A House by the Sea, a number of articles and book chapters mostly related to art, technology and science and she is the co-editor of the book Modern Stroke Rehabilitation through e-Health-based Entertainment.

Credits

Greece: Emmanouela Vogiatzaki-Krukowski, Pavlos Krukowski, Yiouli Garofalaki, Kostas Georgakopoulos, Tina Memou, Natalia Patrineli, Athena Stourna, Stella Sofokleous, Anoush Polenaki, Katerina Diareme, Nikiforos Kostavassilis, Artur Krukowski
Argentina: Mariana Kutulas Vrsalovic
UK: Prof. Anna Birch
Canada: Prof Kathreen Irwin, Dianne Ouellette
Sweden: Eya Reichberg
France: Dorian Kristmanson & Kyrie Kristmanson

Photos: Emmanouela Vogiatzaki Krukowski

ZERO FESTIVAL / ZOOM WEBINAR – JULY 2020

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