The performance focuses on the uncertainty that the heroes face in the aftermath of devastation, a subject matter relatable to the post-pandemic reality. A city following a war is suffocated by the predicament of decisions that define the fates of the heroes. The need for a deeper form of communication stemming from the post-pandemic rearrangement leads to the search for materials that emphasise communication with the audience in a natural and sincere way. The fragments on stage constitute a visualisation of the object that has been relegated to merely a substance of memory. The material chosen for the fragments is white plaster; a material similar to real stone with adequate weight and texture, that produces sound when falling on the wooden floor and creates dust during the play. A simple but functional material, plaster becomes the materiality of human symbols. Its abstraction, moreover, resonates with the post-pandemic need of the artists to find substance by abstracting what is “exterior”.