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Mayra Stergiou – Elisabeth Leau

Theatre Director - Scenographer / Architect - Scenographer - Artist

60 designers

57 projects

AN ICE THING TO SAY

Bio

M.S.: Mayra is a theatre director, scenographer and performer. She trained in Lecoq Devised Theatre and Performance at London International School of Performing Arts (LISPA) and in Dramatherapy at University of Derby (MA). She collaborated with prominent artists such as David Glass, Robin Guiver (War Horse) and various theatres and festivals across UK and internationally. In 2013 she co-founded Visual and Physical Theatre company, Vertebra Theatre, where she is the Artistic Director since. Her artistic work is rooted in experimental theatre and is scenography and movement led. Over the years she has trained in a variety of physical and ritualistic theatre practices such as Theodoros Terzopoulos Method, voice coordination with Grzegorz Bral (Song of the Goat), in martial arts and contact improvisation. She has led workshops on puppetry, embodiment and mask work at MSc Creative Computing at University of the Arts London and MA Scenography at RCSSD. She is also a PhD candidate in Performance Practice at Guildhall School of Music and Drama researching staging the lived experience of trauma through scenography led devised theatre.

– – –

E.L.: Architect, scenographer and artist. She studied Architecture at Central Saint Martins in London, she took acting and drama courses and then she launched her own design brand with great success. The brand focused on the design, production and creation of sculptures and intricate design objects. Elisabeth completed the Scenography and Costume Design course under Maria Chaniotaki with honours. She is currently developing her artistic and scenography projects through various commissions and theatrical productions. Her main artistic focus is on ancient Greek drama and mythology. Her artworks, consisting mainly of paintings and large scale indoor and outdoor sculptures, can be found in private collections. Her work has been described as fresh, eccentric and ahead of its time.


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A scenography-led performance-installation project that explores the human being of the Anthropocene era and uses large ice as material, live music and dance to pose burning questions about environmental consciousness within the framework of a world citizen identity. Drawing on inspiration from Erich Fromm’s book To Have or to Be? and our personal diaries from lockdown, we invited the audience into a multisensory experience of our inner and outer icy landscapes. The performance came as an experimentation with the material of ice, as an unexpected way of working and thinking without text and through the embodied materiality. Devising the narrative of the piece in two countries through zoom, while working with quarantine diaries and then creating experimental encounters with the material and performer’s body in the physical space opened the underexplored territory of expanded scenography as a vehicle for social change and innovative ways of audience engagement.

Credits

Live Performance 2021:
Concept – Direction – Scenography – Light Design: Mayra Stergiou
Co-Scenography – Costumes: Elisabeth Leau
Live Musician: Neyire Ashworth

Digital Version 2020:
Concept – Direction- Scenography: Mayra Stergiou
Co-Scenography: Elisabeth Leau
Sound Designer: Gregory Emfietzis
Mask Maker: Stella Evangelia
Filming – Editing: Theo Prodromidis

Photos: Julia Reinhart, Elisabeth Leau

BLIVANTE, STOCKHOLM – SEPTEMBER 2021

AN ICE THING TO SAY

A scenography-led performance-installation project that explores the human being of the Anthropocene era and uses large ice as material, live music and dance to pose burning questions about environmental consciousness within the framework of a world citizen identity. Drawing on inspiration from Erich Fromm’s book To Have or to Be? and our personal diaries from lockdown, we invited the audience into a multisensory experience of our inner and outer icy landscapes. The performance came as an experimentation with the material of ice, as an unexpected way of working and thinking without text and through the embodied materiality. Devising the narrative of the piece in two countries through zoom, while working with quarantine diaries and then creating experimental encounters with the material and performer’s body in the physical space opened the underexplored territory of expanded scenography as a vehicle for social change and innovative ways of audience engagement.

Bio

M.S.: Mayra is a theatre director, scenographer and performer. She trained in Lecoq Devised Theatre and Performance at London International School of Performing Arts (LISPA) and in Dramatherapy at University of Derby (MA). She collaborated with prominent artists such as David Glass, Robin Guiver (War Horse) and various theatres and festivals across UK and internationally. In 2013 she co-founded Visual and Physical Theatre company, Vertebra Theatre, where she is the Artistic Director since. Her artistic work is rooted in experimental theatre and is scenography and movement led. Over the years she has trained in a variety of physical and ritualistic theatre practices such as Theodoros Terzopoulos Method, voice coordination with Grzegorz Bral (Song of the Goat), in martial arts and contact improvisation. She has led workshops on puppetry, embodiment and mask work at MSc Creative Computing at University of the Arts London and MA Scenography at RCSSD. She is also a PhD candidate in Performance Practice at Guildhall School of Music and Drama researching staging the lived experience of trauma through scenography led devised theatre.

– – –

E.L.: Architect, scenographer and artist. She studied Architecture at Central Saint Martins in London, she took acting and drama courses and then she launched her own design brand with great success. The brand focused on the design, production and creation of sculptures and intricate design objects. Elisabeth completed the Scenography and Costume Design course under Maria Chaniotaki with honours. She is currently developing her artistic and scenography projects through various commissions and theatrical productions. Her main artistic focus is on ancient Greek drama and mythology. Her artworks, consisting mainly of paintings and large scale indoor and outdoor sculptures, can be found in private collections. Her work has been described as fresh, eccentric and ahead of its time.

Credits

Live Performance 2021:
Concept – Direction – Scenography – Light Design: Mayra Stergiou
Co-Scenography – Costumes: Elisabeth Leau
Live Musician: Neyire Ashworth

Digital Version 2020:
Concept – Direction- Scenography: Mayra Stergiou
Co-Scenography: Elisabeth Leau
Sound Designer: Gregory Emfietzis
Mask Maker: Stella Evangelia
Filming – Editing: Theo Prodromidis

Photos: Julia Reinhart, Elisabeth Leau

BLIVANTE, STOCKHOLM – SEPTEMBER 2021

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